Peer-Reviewed Articles
“Contextualizing the Crit,” in Do We Have to Call It Critique: Reimagining the Tradition, ed. Elissa Armstrong and Mariah Doren (London, UK: Intellect Books, 2023).
“Empty Fields Revisited,” in Perspectives on In/stability, ed. Delinda Collier and Robyn Farrell (Chicago, IL: The Art Institute of Chicago, 2022). (Available here)
“In dialogue with nails: Kuzgun Acar’s Elegy to a Modern Man,” World Art, no. 12, 2022. (Available here)
“Aridification as the Protagonist: Kuzgun Acar's Ecocriticism,” MARCH Journal of Art & Strategy, no. 2, 2021. (Available here)
“Biases within Digital Repositories: The Getty Research Portal,” Stedelijk Studies, no. 10, 2020. (Available here)
“Corbusian Monumentality: The Legacy of the Konak from Vernacular System to Modernist Monument,” Getty Research Journal, no. 12, 2020. (Available here)
“(Dys)Functional Art,” Journal of Arts & Communities, no. 2–3, 2014. (Available here)
Short-Form Articles and Editorials
"Jimena Sarno at the Los Angeles State Historic Park," Contemporary Art Review Los Angeles (Carla), August, 2022. (Available here)
"Nick Angelo: Stage Paintings," Contemporary Art Review Los Angeles (Carla), April, 2022. (Available here)
“An Archive of Emotions: 2 or 3 Things I Know About Her, An Interview,” Arts Cabinet, May 2020. (Available here)
“An Ode to Geraniums,” X-TRA Contemporary Art Quarterly, November 2019. (Available here)
“Molded by a Clenched Fist.” Hauser & Wirth Stories, 2018. (Available here)
“Unfolding Narratives in the Pierre de Gigord Collection,” The Getty Iris, June 25, 2018. (Available here)